It is the last day of 2015, and I finally feel ready to actually post what I think are the best books I read in 2015. I read a lot of amazing books this year, many of which I loved and thought were extremely well-written, but these books listed below specifically are ones that always seem to pop into my mind, that frame my thinking of other books, and whose images, characters and words keep me thinking/guessing. I'm also going to include a quote from each to entice you to read them, of course! They are in the order in which I read them.
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Aside from these amazing books, peep my new bedsheets as the backdrop,
where were a gift from one of my best friends. Who wouldn't want
lovely bedsheets for Christmas?! |
The City in Which I Love You by Li-Young Lee
But the boy is packing his shirts,
he is looking for his keys. Are you a god,the man screams, that I sit mute before you?
Am I a god that I should never disappoint? ('A Story' 15-18)
Li-Young Lee is one of my absolute favorite poets of all time. I want to say that Lee's poetry deals with a lot of big issues, such as being a refugee (he and his family fled from Indonesia when he was a baby, and knocked around a few countries in East Asia before settling in the US), religion, love, etc. But to just say that, to say Lee is a political poet, is not enough. All of his poetry are grounded in specific moments, images, and relationships, that when I think of what 'humane' means, I think of Lee's poetry.
The City in Which I Love You exhibits, I think, Lee at his best. With stunning poems such as 'My Father in Heaven is Reading Out Loud,' which conflates the image of his own father with a Heavenly Father, Lee teases out the complexity of his relationship with his father, religion, and the legacy of his family's history.
The Luminaries by Eleanor Catton
'That is a good beginning; I am glad it is yours. Tonight shall be mine.'
'Ought we to have different ones?'
'Different beginnings? I think we must.'
'Will there be more of them?'
'A great many more' (832)
I read this book at the very beginning of 2015, and have not forgotten about it - images, characters, themes, and sentences recur in my mind, and connect with other things I've read in the past year. This novel has truly stayed with me. I don't think more than two days go by without me thinking about it. The Luminaries is an intricately plotted novel, that follows a sprawling cast of characters - there is a character list in the front of the novel! - in the gold-mining town of Hokitika, New Zealand in 1866. Catton uses the zodiac and astrology as the bones of her novel - each character is associated with a zodiac sign, for example - in order to showcase how they interact, collide, and circle one another in the events of the novel. The basic plot is there is a missing rich, young man named Emery Staines, and the other main characters are invested in him being alive or dead for whatever reason. The use of the zodiac and astrology is brilliant, and makes you think about the connections between the characters in new ways (although, do not be mistaken, this is not about horoscopes), and I think propels the basic narrative of the missing persons case in interesting ways. This novel is an odyssey, and by the end, I believe all the traveling you will have done with these characters is well worth it.
Mariana by Monica Dickens
'At first she had thought that her heart was dead. She told herself that she had been through a searing experience which had left her as a woman set apart from love - a tragic figure. This sustaining vision had tided her over the misery of the end of last summer' (189).
This is the first novel published by Persephone Books I have ever read. I found it randomly in The Strand when I was looking for a Charles Dickens book - Monica is his great, great granddaughter! If you don't already know, Persephone Books publishes forgotten novels by (mostly) women. I am all for supporting women, and not letting women's contributions to literature be forgotten. This book was simply lovely. There is nothing like reading a satisfying romantic book that is not condescending towards its heroine (the titular character, Mariana), nor its audience, and it does so because it acknowledges and beautifully portrays the flaws and desires of its characters. We follow Mariana through ups and downs as she desperately tries to gain independence, and find a man she can truly love and who truly loves her. It's a well-written story about wanting a man, but not needing a man, which is a distinction too rarely made in novels about women, or in women's lives in general.
The Stone Gods by Jeanette Winterson
'Some religions call life a dream, or a dreaming, but what if it is a memory? What is this new world isn't new at all but a memory of a new world?' (87).
This is a bit of an odd one. A post-apocalyptic novel that jumps back and forth in time, between worlds (or maybe the same world? Never quite sure). For the most part, the novel follows Billie Crusoe, who falls in with a 'Robo
sapien,' Spike, as they embark on a mission to find a new inhabitable planet, since Earth is dying after being ravaged by war and greed. In this novel, we basically get a queer android love story that investigates the nature of war, time, and humanity, itself. Really everything is in this novel.
The Argonauts by Maggie Nelson
'The pleasure of ordinary devotion. The pleasure of recognizing that one may have to undergo the same realizations, write the same notes in the margin, return to the same themes in one's work, relearn the same emotional truths, write the same book over and over again - not because one is stupid or obstinate or incapable of change, but because such revisitations constitute a life' (112).
I knew this book would be one of my favorites. Last year, I read Nelson's
Bluets - which if you haven't read YOU SHOULD - and absolutely fucking loved it. It's a brilliant book, which I will hopefully talk about on here soon, but haven't yet since I have so many thoughts on it that they are like an avalanche in my mind. Which is also my situation with
The Argonauts. But anyway, this book is what Nelson calls a book of 'autotheory,' meaning it is an autobiography of sorts, in which she uses critical theory as a lens for her life, and as a way to shape her life. The autobiographical part deals in particular with Nelson's marriage to her partner, Harry, who is fluidly gendered, and their having a baby. Nelson is interested in what it means to make a family, and is interested in how the language shapes family relationships, and queer relationships. Nelson is brilliant at weaving her personal story with critical and literary texts, and the effect is a richer, and more comprehensive understanding of her life.
Nazi Literature in the Americas by Roberto Bolaño
'The stories simply happen, period - produced by the sovereign power of chance unleashed, operating outside time and space, at the dawn of a new age, as it were, in which spatio-temporal perception is undergoing transformation and even becoming obsolete' (123-124).
At least one Bolaño was going to be on this list, and this year, it's
Nazi Literature in the Americas, a fictional encyclopedia of right-wing authors. Bolaño makes up entire histories, and creates a tapestry of a literary world that never existed. In this endeavor, Bolaño pushes the boundaries of fiction. What does it mean to have a made-up encyclopedia? Something that is meant to the record the world as it is, but made-up? There seems to be a paradox of fiction and reality. And I don't even know where to begin to unpack why he decided on right-wing authors - the role of politics, fascism, and the specter of WWII and the Holocaust are dissertation-worthy + ten books of criticism.
Cloud Atlas by David Mitchell
'"Catch you all next time.' Luisa is going. 'It's a small world. It keeps recrossing itself"' (418).
I've just finished this book last week, and it blew my mind. The construction of the story is brilliant: 6 stories-within-stories, spanning centuries, and the globe. Each story leads into the next, and we see how people are connected across time and space. It's a very lofty goal, and the execution is perfect: never clinical, and never a slave to its conceit, this novel is so rich in its characters, and so brilliant in the way it shows their connection. Many talk about this novel in terms of how it discusses the 'universality' of human beings, reincarnations, that there is some deep, mysterious connection between us all. I'm not sure about all of those things, but what I am sure of is that this novel discusses brilliantly how we all become stories, passed on, retold, and forgotten.
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I also want to say a thank you to those that have been reading along, as I post my thoughts and theories on this blog. I'm excited for the new year, and more books!
Also, some time in the next few days I'm going to post more of a statistical analysis of the books I read in 2015. And by 'statistical analysis' I mean tally marks. So get ready!
